Research Group
Creation, Performance, and Artistic Research
Group Details

About this Group
This Research Group results from the merger of the previous groups Creation, Theory, and Technologies of Music and Performance Studies and Performance as Artistic Research. Its aim is to consolidate and expand the field of artistic research, creating opportunities to combine the knowledge of artists and researchers, benefiting both. In dealing with artistic creation, the Group emphasizes the relationship between reflective aspects, remix practices, and aesthetic appreciation.
Objectives
- Consolidate Artistic Research by developing Performance and Musical Creation as Research in the fields of classical music, jazz, and popular music;
- Develop performance optimization projects related to psychological and physiological issues, as well as instrumental teaching strategies;
- Create new music: instrumental, orchestral, opera, electroacoustic, algorithmic, live and interactive computer music, mixed media and video, and interactive detection;
- Conduct research on performance studies from historical, analytical, or sociological perspectives;
- Investigate intermodal performance based on music and dance
Priorities
- Develop collaborative projects between composers and performers on Artistic Research;
- Study, create, perform, record, and promote Portuguese music from all historical periods;
- Experiment with and explore contemporary issues such as technology, critical theory, plastic creativity, poly-stylism, and interdisciplinarity;
- Develop projects exploring expressiveness, music and technologies, electroacoustic music, and music and image;
- Promote the creation of innovative music, including electronic media, driven by a diverse range of aesthetics and techniques, utilizing the resources of the Electroacoustic Music Research Center (CIME).
- Promote meetings and conferences on Artistic Research, such as “Performa – International Conference on Performance Studies,” ‘Hands On’ Research, and “EAW – Electroacoustic Winds“; along with the development of the IMPAR platform and its journal ÍMPAR – an online journal of Artistic Research.
Regular Events
- CIRC_ Artistic Research Recital-Conferences Series
- REC_ Recital-Conferences
- Hands On – Academic Meetings on Artistic Research
Scientific Production (2013 – 2018)

Team
Team
Main Researcher
Integrated PhD Researchers
Alejandro Laguna
Alfonso Benetti
André Fonseca
António Chagas Rosa
António Vassalo Lourenço
Carlos Canhoto Almeida
Edward Ayres de Abreu
Evgueni Zoudilkine
Fausto Neves
Francisco Monteiro
Gilvano Dalagna
Helena Santana
Isabel Alcobia
Isabel Soveral
Jean Garetti
João Bettencourt da Câmara
Luca Chiantore
Luís Carvalho
Luís Postiga
Nuno Aroso
Pedro Rodrigues
Samuel Peruzzolo-Vieira
Sara Carvalho
Shao Ling
Rita Torres
Integrated Non-PhD Researchers
Alexandre Souza Simon
Ana Filipa Ferreira
Daiana Maciel
Elielson da Silva Gomes
Germán Enrique Alcántara
Helvio Monteiro Mendes
João Coimbra
João Paulo Moreira
Jorge Gonçalves
Letícia Maia
Mathilde Martins
Pedro Berardinelli
Túlio Augusto
Beatriz Oliveira
Huayma Tulian
Jean Gorges
João Vilar
Jonathan silva
Jorge Sousa
Maria João Lopes
Paulina Almeida
Luam Clarindo
David Feldman
Diego Ventoso Fernández
Doret Florentin
Erato Alakiozidou
Gaia Gaibazzi
Gustavo Afonso
Joshua Edward
André Roque Cardoso
Bernat Sánchez Farrés
Filipe Fonseca
Ivana Govedarska-Roldao
Javier Castro
Juan Pablo Luna Buenaventura
Júlia Fortuny Castellano
León Salcedo
Liz Angela García
Luís Duarte
Luiz Duarte
Mafalda Carvalho
Mónica Chambel
Nery Borges
Pedro Emanuel Pereira
Philippe Trovão
Rita Pinheiro
Rodrigo Affonso
Vinícius L. Fernandes
Yanis El-Masri
Yaniv Elijah d’Or
Yudan Wang
Yundi Hou
Collaborators
Laboratories
Associated Laboratories
Agenda
Events
PhD Dissertation defense: Ana Filipa Ferreira
24 Apr, 2026
PhD Dissertation Defense
CPAR
Is Composition Still Creation? Imitation and Transformation in Contemporary Music
27 Mar, 2026
Seminar
CPAR
PhD Dissertation defense: João Tiago Luís Correia
05 Mar, 2026
PhD Dissertation Defense
CPAR
Composition with new media: utopy and distopy
06 Mar, 2026
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06 Mar, 2026
Seminar
CPAR
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Projects
Ongoing Projects
Completed Projects
2024
Maria de Buenos Aires Revisited
Jorge Salgado Correia
CPAR
2024
ACTUS: Audience as Performers
Sara Carvalho
CPAR
2023
TransVariations – Music beyond the limits of time and technology
Alfonso Benetti
CPAR
2020
REACT – Rethinking Music Performance in European Higher Education Music Institutions
Jorge Salgado Correia
CPAR
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Scientific Production
Publications
3-31
Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works
Article
3-10
Piano pedagogy in Portugal: a discursive analysis from the perspective of Higher Education teachers
Article
2-25
Mapping the relationship between flow experience and music performance anxiety: a scoping review
Article
0-12
Unconventional sound production on the xylophone: outcomes of an artistic research collaboration
Article
See all