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Project

40º à sombra

References
DGArtes 35693
Execution Deadline
01 Oct, 2026
—
01 Dec, 2027
Institution
Research Group

Team

Gilvano Dalagna (Universidade de Aveiro | INET-md, artistic)

Richard Simas (Independent artist, artistic coordination)

Annie Loui (University of California Irvine, artistic coordination)

Aurora Miranda (Universidade de Aveiro)

Clarissa Foletto (Universidade de Aveiro | INET-md)

Fernanda Miki (Universidade de Aveiro | INET-md)

Hugo Zanardi (Independent artist)

Jorge Luís Castro (Universidade de Aveiro)

Lúcia Caroço (Universidade de Aveiro)

Marisa Ponce León (Universidade de Aveiro | INET-md)

Sérgio Neves (Universidade de Aveiro | INET-md)

Period

10/2026 to 12/2027

Institutions involved (in collaboration or partnership)

Associação ArtTalent

Universidade de Aveiro

INET-md

23 milhas

University of California Irvine

Teatro Municipal de Bragança

Casa da Cultura de Santa Comba Dão

Teatro Ribeiro Conceição

Funding

Direção-Geral das Artes DGArtes | Ref. 35693

Abstract

40º à Sombra is an interdisciplinary artistic creation for eight performers, inspired by Requiem (1991) by Antonio Tabucchi. Drawing on the fragmented structure of the work, a journey between noon and midnight on a summer day in Lisbon, it offers a contemporary reflection on memory, identity and belonging, bringing the Lusophone experience into focus as a sensory and symbolic territory.

Rejecting narrative adaptation and scenic illustration, the project develops an integrated compositional approach in which sound, voice, body, word, gesture and space function as interdependent materials. It is neither musical theatre nor a staged concert: the dramaturgy emerges from the interplay between sound organisation, physical action and spatial construction.

The methodology combines collaborative creation and artistic research through dramaturgical development and experimentation with the performers, technical and artistic consolidation, and intensive rehearsals. The strategy integrates creation, mediation and circulation through an open rehearsal during the residency, a preview performance and a transdisciplinary workshop. By bringing together urban contexts and less densely populated areas, artistic creation and training, the project promotes decentralisation, proximity and audience development, aiming to build lasting relationships between artistic creation, audiences and territory.

Keywords

Artistic Creation; Intermodal Dramaturgy; Performance; Collaborative Practices.