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25.06.2021 | 16:30 | online
 
 
 
 
Carole Gubernikoff presents an overview of works by Gilles Deleuze and Felix Guattari addressing alternatives to traditional methodologies. The starting point of musical analyzes is the Immediate Intuition, a term coined by Gilles Deleuze from the reading of texts by Henry Bergson. This immediate intuition is based on the concept of Listening, which encompasses both composition and musical analysis and the necessary transdisciplinary spillovers.
 
 
 
 
 
Carole Gubernikoff is a Full Professor at the Villa Lobos Institute and at the Graduate Program in Music at the Federal University of the State of Rio de Janeiro. Bachelor in Music Composition at the University of São Paulo, she completed her postgraduate, masters and doctoral studies at the School of Communication of the Federal University of Rio de Janeiro. As a research topic during her postgraduate studies, she focused on issues related to the meanings in music from the analysis of musical composition, in modern and contemporary works. For the doctorate her focus of concentration was time and musical becoming. Scholarship CNPq in 1991/1992 at IRCAM, Paris; Capes Fellow at Columbia University New York, 1998; Capes Fellow at École Normale Supérieure in Paris, 2003; full teacher competition in 2006. From 2011 to 2019 she was Dean of the Center for Arts and Arts at UNIRIO. She applied for retirement in January 2021 and remains a collaborating professor of the Graduate Program in Music at UNIRIO. Her research focuses on modern and contemporary works, establishing a dialogue with the thinking of philosophers, mainly Deleuze/Guattari. As a teacher, she covers different eras and styles, offering disciplines in music analysis methodologies.