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Scientific Production

Find out INET-md work in all its forms by clicking over the titles of your interest. In Filter you may choose one or more search criteria.

Latest
2026-07-01
Ignis et Nebula
2026-09-10
Peripheral Creativities: Youth, Arts and Public Policies in Segregated Territories
2026-09-03
Organizing the Sonic Remnant. The AI-Chimera and the Praxis of Meta-Listening
2020-10-11
Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque Solto
2021-09-17
Multi-modal recordings of Maracatu “de baque solto” (Brazil): technical concerns and preliminary analyses
2022-06-15
Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil)
2023-12-22
An Interactive Animation of Maracatu de Baque Solto Collective Choreographies (Brazil)
2021-09-01
Inveja e corpo fechado no Maracatu de baque solto Pernambucano
2022-03-13
Analysis of Expressive Microvariations in Oral Tradition Music: Two Studies from Romania and Brazil
2021-09-30
On the Use of Automatic Onset Detection for the Analysis of Maracatu de Baque Solto

Publications

(296)
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Ethnomusicology and Popular Music Studies
2026
Peripheral Creativities: Youth, Arts and Public Policies in Segregated Territories
Chapter
2026
José Mário Branco et l’utilisation de la « musique traditionnelle » : le renouveau de la « musique populaire portugaise » au début des années 1970
Article
2026
“Hooking Up as Performance”: The Intersection Between Dance and Sexual Identities in Lisbon’s Gay Nightlife 
Article
2026
Samba, body and performance of collectivity: a street rehearsal of the Unidos de Vila Isabel samba school
Article
2026
Researching Eurovision as Public Value
2026
Neofalantes, Neogalego e Neofoliadas: Music, Dance and Language in Contemporary Galicia
Article
2026
“Beautiful Song”: Is the Music Presented at the Eurovision Song Contest a Musical Form in Its Own Right?
Chapter
2026
Harmonising Forced Interculturality: Music, (Im)mobility and Belonging Among Hazara Afghan Unaccompanied Minors in Sweden
Article
2026
Le Concours Eurovision de la chanson en tant qu’expérience musicale : acteurs et agents, fandom et gatekeeping
Chapter
2026
Autonomy, negotiation, and reenactment: the case of folk musicians playing in ‘medieval fairs’
Article
2026
Prática Musical Inclusiva em Portugal: Mapeamento e Estudo
Report
2026
The Struggle for Lisbon’s Brazilian Carnival Against Structural Xenophobia
Article
2026
‘Soldi’ vs. ‘Have Some Fun’: Volunteer Work in the Eurovision Song Contest
Chapter
2026
“The fire of Samba, the excitement of Bolero, the sophistication of Cha Cha Cha” in Lourenço Marques: the legitimation of empire through the connections between music, phonographic editions and tourism
Article
2025
Grândola, Vila Morena, entre histoire et mémoire : une chanson de révolution dans le cinéma révolutionnaire portugais
Article
2025
Luís, Trindade, Silêncio Aflito. A sociedade portuguesa através da música popular (dos anos 40 aos anos 70), Lisboa, Tinta da China, 2022
Review
2025
Review of Brassroots Democracy: Maroon Ecologies and the Jazz Commons by Benjamin Barson
Review
2025
Revisiting the Heritagization of Arab Music in Postcolonial Cairo
Article
2025
Music, Colonialism, and Silencing: The Case of a Traditional Angolan String Instrument
Book
2025
Danse, envie et “corps fermé” dans le maracatu de baque solto du Pernambouc (Brésil)
Article
2025
Rethinking Relational Geometries in Musical Events in Europe: Artistic Devices and Activist Implications
Chapter
2025
Festival Activism
Book
2025
Introduction: Festival Activism
Chapter
2025
An Accessible Carnival: Festivity, Inclusion and Disability in Rio de Janeiro
Chapter
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