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Scientific Production

Find out INET-md work in all its forms by clicking over the titles of your interest. In Filter you may choose one or more search criteria.

Latest
2026-07-01
“Hooking Up as Performance”: The Intersection Between Dance and Sexual Identities in Lisbon’s Gay Nightlife 
2024-01-01
“Isto não seria o mesmo sem as Escolas Profissionais de Música”: a adoção de um modelo organizacional, pedagógico e social de ensino (im)provável
2024-01-01
Thirty Years of Professional Music Education in Portugal: a socially inclusive model
2024-01-01
Thirty Years of Professional Music Education in Portugal: a socially inclusive model
2024-01-01
Preparatórios e Rudimentos sobre a disciplina de Formação Musical – uma Teoria da Prática – Formação Musical, um domínio disciplinar volúvel no campo do ensino artístico de música. Subsídios para a sua história
2024-01-01
El análisis musical y la (re)construcción de un habitus de escucha
2024-01-01
Projeto Recriar-se – Artes plásticas – Desenhar e pintar para lá do que se vê. Setúbal: Instituto Politécnico de Setúbal
2024-01-01
Melodic skills of Portuguese children from disadvantaged backgrounds
2024-01-01
Fazer Música em família – a criação musical coletiva e intergeracional em projeto
2024-01-01
Ao som dos grilos. Uma reflexão sobre a importância da educação e expressão artística na infância

Publications

(284)
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Ethnomusicology and Popular Music Studies
2026
José Mário Branco et l’utilisation de la « musique traditionnelle » : le renouveau de la « musique populaire portugaise » au début des années 1970
Article
2026
“Hooking Up as Performance”: The Intersection Between Dance and Sexual Identities in Lisbon’s Gay Nightlife 
Article
2026
Samba, body and performance of collectivity: a street rehearsal of the Unidos de Vila Isabel samba school
Article
2026
Researching Eurovision as Public Value
2026
Neofalantes, Neogalego e Neofoliadas: Music, Dance and Language in Contemporary Galicia
Article
2026
“Beautiful Song”: Is the Music Presented at the Eurovision Song Contest a Musical Form in Its Own Right?
Chapter
2026
Harmonising Forced Interculturality: Music, (Im)mobility and Belonging Among Hazara Afghan Unaccompanied Minors in Sweden
Article
2026
Le Concours Eurovision de la chanson en tant qu’expérience musicale : acteurs et agents, fandom et gatekeeping
Chapter
2026
Autonomy, negotiation, and reenactment: the case of folk musicians playing in ‘medieval fairs’
Article
2026
Prática Musical Inclusiva em Portugal: Mapeamento e Estudo
Report
2026
The Struggle for Lisbon’s Brazilian Carnival Against Structural Xenophobia
Article
2026
‘Soldi’ vs. ‘Have Some Fun’: Volunteer Work in the Eurovision Song Contest
Chapter
2026
“The fire of Samba, the excitement of Bolero, the sophistication of Cha Cha Cha” in Lourenço Marques: the legitimation of empire through the connections between music, phonographic editions and tourism
Article
2025
Grândola, Vila Morena, entre histoire et mémoire : une chanson de révolution dans le cinéma révolutionnaire portugais
Article
2025
Luís, Trindade, Silêncio Aflito. A sociedade portuguesa através da música popular (dos anos 40 aos anos 70), Lisboa, Tinta da China, 2022
Review
2025
Review of Brassroots Democracy: Maroon Ecologies and the Jazz Commons by Benjamin Barson
Review
2025
Revisiting the Heritagization of Arab Music in Postcolonial Cairo
Article
2025
Music, Colonialism, and Silencing: The Case of a Traditional Angolan String Instrument
Book
2025
Danse, envie et “corps fermé” dans le maracatu de baque solto du Pernambouc (Brésil)
Article
2025
Rethinking Relational Geometries in Musical Events in Europe: Artistic Devices and Activist Implications
Chapter
2025
Festival Activism
Book
2025
Introduction: Festival Activism
Chapter
2025
An Accessible Carnival: Festivity, Inclusion and Disability in Rio de Janeiro
Chapter
2025
Our Ship Drum Earth: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon
Article
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