Faculdade de Ciências Sociais e Humanas | Universidade Nova de Lisboa
Av. de Berna, n.º 26 C
1069-061 Lisboa
Email: cdominicis@fcsh.unl.pt
Tel: (+351) 21 790 83 00 (ext. 1583)
Chiara De Dominicis
Chiara De Dominicis is a PhD student in Music Sciences, specializing in Ethnomusicology, at NOVA FCSH and INET-md. She completed her bachelor’s degree in Philosophy from the University of Florence in October 2020, following an ERASMUS exchange at the University of Oslo. In April 2024, she completed a master’s degree in Music Sciences at the University of Pavia, Department of Musicology in Cremona. During her studies, she undertook a six-month internship at the Library and Archive of the Scuola di Musica di Fiesole in Florence and participated in an ERASMUS semester at NOVA FCSH. Her master’s thesis, titled “Tra centro e periferie: una mappatura dell’ecosistema musicale della città di Firenze” (Between Center and Peripheries: Mapping the Music Ecosystem of the City of Florence), explored the mapping of live music venues in Florence as a tool to analyze the urban music ecosystem, offering both quantitative data and qualitative insights. This work originated by the collaboration with the Live Music Mapping Project (LMMP), where she contributed to mapping and analyzing the music ecosystem of Milan. In June 2024, she presented at the international conference Mapping Music Life in Florence, alongside the LMMP research group from Milan, with a panel titled “Three Views of a Secret: Discussing Milan’s LMMP Map Live Music Ecosystem.”
Doctoral Project
Title
Sounds of Change: Live Music and Urban Transformation in Lisbon
Supervisor
Marco Roque de Freitas
Co-supervisor
Manuel Garcia Ruiz (CIES-Iscte)
Abstract
This project examines the relationship between live music, urban transformation and resilience processes in Lisbon. Combining ethnographic methods with quantitative approaches, it explores how live music sites respond to gentrification and over-tourism, how musical actors adapt to
shifting urban dynamics, and how community-based initiatives foster engagement or resistance within the city’s nighttime live music scenes (Straw, 2014).
Additionally, it aims to explore how local audiences perceive and engage with contemporary Lisbon’s live music activities, shedding light on the social dynamics that shape participation and meaning-making within an evolving urban soundscape.
By comparing two different parts of the city–the so-called ‘center’ and ‘periphery’ – this study highlights the potential impact of urban changes on musicking activities (Small, 1998).
Ultimately, this research aims to explore live music as both a site of negotiation and a form of resistance, highlighting its potential role in fostering cultural resilience and social cohesion in urban contexts.
Keywords: Urban Music; Gentrification; Ovet-Tourism; Cultural Resilience; Live Music Spaces; Live Music Practices
