Research Group
Creation, Performance, and Artistic Research
Group Details

About this Group
This Research Group results from the merger of the previous groups Creation, Theory, and Technologies of Music and Performance Studies and Performance as Artistic Research. Its aim is to consolidate and expand the field of artistic research, creating opportunities to combine the knowledge of artists and researchers, benefiting both. In dealing with artistic creation, the Group emphasizes the relationship between reflective aspects, remix practices, and aesthetic appreciation.
Objectives
- Consolidate Artistic Research by developing Performance and Musical Creation as Research in the fields of classical music, jazz, and popular music;
- Develop performance optimization projects related to psychological and physiological issues, as well as instrumental teaching strategies;
- Create new music: instrumental, orchestral, opera, electroacoustic, algorithmic, live and interactive computer music, mixed media and video, and interactive detection;
- Conduct research on performance studies from historical, analytical, or sociological perspectives;
- Investigate intermodal performance based on music and dance
Priorities
- Develop collaborative projects between composers and performers on Artistic Research;
- Study, create, perform, record, and promote Portuguese music from all historical periods;
- Experiment with and explore contemporary issues such as technology, critical theory, plastic creativity, poly-stylism, and interdisciplinarity;
- Develop projects exploring expressiveness, music and technologies, electroacoustic music, and music and image;
- Promote the creation of innovative music, including electronic media, driven by a diverse range of aesthetics and techniques, utilizing the resources of the Electroacoustic Music Research Center (CIME).
- Promote meetings and conferences on Artistic Research, such as “Performa – International Conference on Performance Studies,” ‘Hands On’ Research, and “EAW – Electroacoustic Winds“; along with the development of the IMPAR platform and its journal ÍMPAR – an online journal of Artistic Research.
Regular Events
- CIRC_ Artistic Research Recital-Conferences Series
- REC_ Recital-Conferences
- Hands On – Academic Meetings on Artistic Research
Scientific Production (2013 – 2018)

Team
Team
Main Researcher
Integrated PhD Researchers
Alejandro Laguna
Alfonso Benetti
André Fonseca
António Chagas Rosa
António Vassalo Lourenço
Carlos Canhoto Almeida
Edward Ayres de Abreu
Evgueni Zoudilkine
Fausto Neves
Francisco Monteiro
Gilvano Dalagna
Helena Santana
Isabel Alcobia
Isabel Soveral
Jean Garetti
João Bettencourt da Câmara
Luca Chiantore
Luís Carvalho
Luís Postiga
Nuno Aroso
Pedro Rodrigues
Rosário Santana
Samuel Peruzzolo-Vieira
Sara Carvalho
Shao Ling
Rita Torres
Integrated Non-PhD Researchers
Alexandre Souza Simon
Ana Filipa Ferreira
Andrés Felipe Molano Ruiz
Carolina Santiago Martínez
Daiana Maciel
Daniel Guimarães Nery
Diana Rodríguez
David Sánchez Blázquez
Elielson da Silva Gomes
Erik Lucena Pronk
Germán Enrique Alcántara
Giuliano Ribas
Helvio Monteiro Mendes
Ion Bressan
João Coimbra
João Paulo Moreira
Jorge Gonçalves
José Batista Junior
José Santos
Juan Rojas Gutierrez
Laura Puerto Cantalejo
Letícia Maia
Luis Manuel García González
Maria Carmen Fuentes
Mathilde Martins
Miguel de Figueiredo Gomes
Nuno Areia Soares
Pedro Baptista
Pedro Berardinelli
Sara Braga Simões
Teresa Tamez
Tiago Gomes
Tiago Patrocínio Coimbra
Túlio Augusto
Zanya Escolar
Beatriz Oliveira
Huayma Tulian
Jean Gorges
João Vilar
Jonathan silva
Jorge Sousa
Maria João Lopes
Paulina Almeida
Laboratories
Associated Laboratories
Agenda
Events
The multifaceted practice of the contemporary percussionist: study techniques in different repertoires
22 Oct, 2025
Events
Seminar
CPAR
International Colloquium on Digital and Technological Performances
05 Nov, 2025
—
06 Nov, 2025
Conference
Events
DTP
EMTC
CPAR
Trans/Atlantic: Performa Ensemble Connects Portugal, Brazil, and Colombia in a Musical Journey
29 Sep, 2025
—
09 Oct, 2025
Concert
CPAR
Concert and conversation with composer Michael Edwards
05 Sep, 2025
Seminar
CPAR
See all
Projects
Ongoing Projects
Completed Projects
2024
Maria de Buenos Aires Revisited
Jorge Salgado Correia
CPAR
2024
ACTUS: Audience as Performers
Sara Carvalho
CPAR
2023
TransVariations – Music beyond the limits of time and technology
Alfonso Benetti
CPAR
2020
REACT – Rethinking Music Performance in European Higher Education Music Institutions
Jorge Salgado Correia
CPAR
See all
Scientific Production
Publications
0-12
Unconventional sound production on the xylophone: outcomes of an artistic research collaboration
Article
9-12
ODE
CD
9-15
Revitalization Strategies for Electroacoustic Music: Dialogue between Pure Data, Affordances, and Performative Perceptio
Article
9-12
‘CHESS STUDIES’ FOR STRING QUARTET: Composition based on chess
Article
See all